• photography

    High Tide in St. Malo: Facing the Wave

    The tide is coming in fast. St. Malo, the old French port in Brittany, is better known for its long history of piracy, which contributed to its former wealth. But pirates are long gone while the tide will come and go long after the city will have gone to dust. In this bay, the tidal range (the difference between the height of the water between high tide and low tide) can go up to 13 meters.

  • photography

    A Map of a Place That No Longer Exists

    The past is a messy construction site. Some parts seem to have been there forever. Unchanged, seemingly unchangeable. Other parts have a big “works in progress” sign guarding the entrance. What is happening in there and how fast works are progressing remains unclear. Some parts remain in the dark and we only get a glimpse of their presence at certain moments. Usually when it hurts.

  • photography

    One Year Into My Photo Project: What I’ve Learned

    It’s the last day of the year. I want to take a moment to make sense of what happened with my photo project. I started my Autism Stories project in January 2023. My first visit to my first participant was on the 21st. I am writing this post almost one year later. My photo project explores the lives of people with autism and of those around them: family, friends, therapists. It looks at the relations between the persons with autism, those supporting them, and society at large.

  • photography

    Autism Stories: a photobook about living with autism

    On 8 December 2023 I was present at Université Saint Louis in Brussels for the launch of my photobook Autism Stories. The book is the result of my work so far with 12 persons with autism and their families. Behind every face there's a whole story. A life. A way of being that is unlike any other and that will only happen once.

  • photography

    Visual Languages: The World in Black and White

    We say that somebody sees the world in black and white when they seem to be lacking nuance and attention to detail and specificity. But there's a whole world of shades between black and white. A spectrum of nuances and possibilities. And often it's precisely because we restrict ourselves to black and white that we can better express visually what is unique, interesting, or unusual about our subject. It's a creative freedom that is found precisely by working with constraints.

  • photography

    Life at the Border: Separation and Continuity

    In the last few years I found myself spending large parts of my holidays in places that were very close to country borders. It didn't start as a plan but I suspect that, at some point, the decision to plan holidays in border areas has turned into a conscious choice. There is something about borders that draws be back again and again, some personal meaning that calls to be explored and unpacked.